Writing
NEW ARTICLES: “Warwick Thornton’s Emotional Landscapes” and “Representation of intersectional and cultural identities in Taiwanese-language port city cinema”
Wyatt Moss-Wellington, “Warwick Thornton’s Emotional Landscapes: Indigenous Cinema and Cultural Autonomy in Australia,” Film Criticism 48, no 1 (2024): https://doi.org/10.3998/fc.5692 Ming-Yeh Rawnsley, Wyatt Moss-Wellington, and Yat Ming Loo, “Representation of Intersectional and Cultural Identities in Taiwanese-Language Port City Cinema,” East Asian Journal of Popular Culture 10, no. 1(2024): https://doi.org/10.1386/eapc_00117_1
NEW ARTICLE: “Going to the movies in VR: Virtual reality cinemas as alternatives to in-person co-viewing”
Just published in the International Journal of Human-Computer Studies, the results of our study into watching films in VR – with Kata Szita, Eugene Ch’ng and Xiaolin Sun. https://doi.org/10.1016/j.ijhcs.2023.103150
NEW CHAPTER: “On Reflecting on Reflections: The Moral Afterlife and Screen Studies”
I have a chapter in Carl Plantinga’s edited collection on Screen Stories and Moral Understanding titled “On Reflecting on Reflections: The Moral Afterlife and Screen Studies.” The chapter makes a case for extended periods of reflection as the quality that sets screen studies scholarship apart from other communities engaged with film and screen media, like… Read more
NEW ARTICLE: “Screening the Port City: Poetics and Promotions”
This article in Genre addresses representations of port cities on film. It was co-authored with colleagues in architecture and cinema studies at the University of Nottingham Ningbo China. https://read.dukeupress.edu/genre/article-abstract/55/2/85/319975/Screening-the-Port-City-Poetics-and-Promotions
SPECIAL ISSUE: Media and Fakery
Celia Lam, Filippo Gilardi and myself have published a Special Issue of Continuum: Journal of Media & Cultural Studies on the topic of “Media and Fakery,” including fake news, deepfakes, and all manner of digital fabulation: https://www.tandfonline.com/toc/ccon20/36/3